Guns, Gams & Gumshoes

A defense attorney & PI who also happen to be writers

Archive for the ‘Writing Mysteries’ Category

Book Excerpt from HOW TO WRITE A DICK: Pretexting

Posted by Writing PIs on May 6, 2013

Today, we’re offering an excerpt from our nonfiction ebook How to Write a Dick: A Guide for Writing Fictional Sleuths from a Couple of Real-Life Sleuths.  In this sample, we discuss pretexting.

At the bottom of this post are links to other articles we’ve written this week, from the new pot breathalyzer recently developed from a Swedish research group to a review of the investigative equipment we’ve purchased over the last decade to a book-giveaway.

Book Excerpt from How to Write a Dick

vintage writer at old typewriter

for writers developing sleuth/private eye characters and stories

Pretexting

“To tell the truth, I lied a little.”
- Jake Gittes in Chinatown

Pretexting is, basically, using a phony script to obtain information.  Most often, a PI will pretext over the phone.  Pretexting plays on a person’s natural desire to talk and be helpful.

PI Wise: Keep in mind that pretexting isn’t typically the first avenue of approach.  Often, the information a PI needs can be found in public records as well as in Internet and database searches.

When Pretexting Is Illegal

A PI never impersonates a police officer, lawyer or doctor.  Doing so sets the stage for the PI spending some quality time behind bars.  Here in our state, a local PI was recently nailed for not only impersonating an officer, but threatening the subject with a firearm while assaulting the subject (and this was for a process service!).  The subject, after learning the guy wasn’t a law enforcement officer but a PI, hired an attorney who filed a lawsuit against the PI.  In your story, your fictional PI might pretend he’s an officer knowing full well he’s courting a felony charge by doing so (which cranks up the tension).

Big No-No: Using Pretexting to Uncover Someone’s Financial Information

It is a federal crime to use a pretext to find out a suspect’s personal or financial information from a financial institution.  The 1999 Gramm-Leach-Bliley (GLB) Financial Services Modernization Act makes gaining unauthorized access to banking and financial customer data through pretext a criminal offense.

Several years back, in the Rocky Mountain News, April 2006, there was an article about James Rapp, a former private investigator, not only infamous for his abuse of pretexting, but for being one of the bad-guy private investigators responsible for the Gramm-Leavy-Bliley act.  It was Rapp’s attempt to impersonate (pretext) John Ramsey, the father of JonBenet Ramsey, to find out what Mr. Ramsey had purchased at a Boulder, Colorado hardware store that eventually led to Rapp’s downfall.  Eventually (FTC v. Rapp, CA 99-WM-783 (D.Col.), Rapp was indicted and convicted for racketeering, with a 75-day jail sentence and four years of probation.

It bears repeating that a PI cannot legally access someone else’s financial records and bank information.  It’s legal, however, if the PI gained such information through the subject’s previously submitted financial statements, Dun & Bradstreet reports and conducted interviews.

Another Big No-No: Using Pretexting to Uncover Information About an Insurance Transaction

In insurance investigations, there are considerations beyond GLB, which include whether the state has adopted the National Association of Insurance Commissioners (NAIC) Insurance Information and Privacy Act (NAIC Model #670) and relevant case law.  Insurance companies are regulated by the individual states in which they conduct business.  When a state adopts the NAIC Model Act, it becomes state law.

Let’s jump to section 3 of the act, which addresses pretexting:

No insurance institution, agent or insurance support organization shall use or authorize the use of pretext interviews to obtain information in connection with an insurance transaction; provided, however, a pretext interview may be undertaken to obtain information from a person or institution that does not have a generally or statutorily recognized privileged relationship with the person about whom the information relates for the purpose of investigating a claim where, based upon specific information available for review by the Commissioner, there is a reasonable basis for suspecting criminal activity, fraud, material misrepresentation or material nondisclosure in connection with the claim.

If the claimant resides in a state that has adopted the Model Act, and there is “a reasonable basis for suspecting criminal activity, fraud, material misrepresentation or material nondisclosure in connection with the claim” then it may be legally feasible for the carrier to authorize a PI to use some type of pretext.

To take it a step further, state laws may vary slightly.  For example, Minnesota’s insurance code doesn’t have the exceptions for a “reasonable basis for suspecting criminal activity, fraud, material misrepresentation or material nondisclosure in connection with the claim.”

Once again, it comes to a PI understanding the law before taking action.  Which means you, as the writer, need to understand the law before you write about your fictional PI picking up the phone and doing a pretext.  Sure, some readers might not know what the PI is doing is illegal, but others will.  Why chance an implausible situation?

Plus, it can add to your story conflict and characterization if your fictional PI takes a moment to ponder the pros and cons of an action — for example, your fictional PI based in Minnesota knows if he picks up that phone and does a pretext on an insurance claimant, it’s illegal.  Nevertheless, he’s toying with crossing the line because the claimant is a scum who hurt a child.  Even with that noble motivation, the PI is risking garnering evidence that’s inadmissible in court or may even cost him his license.  So he calls his attorney, his good buddy who’s accustomed to these gray-area calls, who says don’t be a fool, if you’re caught, it’s your neck.  The PI hangs up, torn.  You’ve just upped the stakes in your story.

The above scenario also makes your story more plausible than if the fictional PI picks up the phone and glibly does an illegal pretext because there’s going to be some knowledgeable reader who thinks, “Wha–?  I worked for ten years as an insurance adjustor in Minnesota and there’s no way a PI would ever do that and get by with it!”

Let’s say a PI typically does domestic relations work, but one day is hired by an insurance carrier to investigate a claimant.  The PI isn’t sure 1) if her state has adopted the Model Act and if it has, 2) if there are additional provisions within that state’s Model Act.  Rather than you, the writer, worrying about how to dig up this information, you can have your fictional PI contact her insurance client and ask if they have a pretext policy and obtain their permission to use pretexting.  This probably wouldn’t be the most exciting piece of dialogue, so maybe it’s briefly clarified in a flash of back history (“Having checked with her insurance client, who’d okay’d her using a pretext, she picked up the phone ready to play the ol’ ‘I’m calling on behalf of your high school reunion committee’ routine.”)

Legal Lookout: The first two resources for questions of a legal nature, outside of an attorney, would be 1-someone in law enforcement, or 2-a reference librarian.  Many PIs consult with both, although our first call would be to a reference librarian, who can research both civil and criminal laws plus most librarians are naturally analytical types.

Other Articles of Interest to Legal Eagles, PIs and Writersprivate detective

This week, your Guns, Gams and Gumshoes hosts have published other articles you might find of interest:

Police Can Now Test Drivers for Drug Use via Shaun Kaufman Law

Our Private Investigations’ Equipment: From Bags of the Stuff to a Smartphone via The Zen Man blog

#Bookgiveaway: Mystery-Romance Novel The Next Right Thing via Colleen Collins Books

Have a great week, Writing PIs

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Has the Private Eye in Movies Lost Its Myth?

Posted by Writing PIs on January 18, 2013

This morning we were amused, surprised and even a bit intrigued after reading several crime fiction articles.  One claimed that the “myth” of the private eye in movies, a la Sam Spade or Philip Marlowe, is not a “renewable source.”  Another shook its figurative finger at publishers for their lack of “gritty” credibility.

We needed an extra cup of coffee–black like our noir-loving hearts–to digest these cynical tid-bits.

Below are links to these articles, with a few of our notes.  We wish we could added more, but we have work to do.  Investigating a case, interviewing witnesses, dragging a reluctant client to his probation.  The real-life stuff of a criminal defense attorney and a PI–funny how some people, non-PIs, think all we do is sit at computers and search databases.  Kinda like how some critics proclaim the private eye genre has gone flabby.  You get our drift.

The Private Eye Movie=Not a Renewable Resource

It's Only ChinatownForget It, Marlowe–It’s Chinatown. Subtitle: “How Roman Polanski‘s masterpiece demythologised the hard-boiled private eye” by  Graham Fuller, theartsdesk.com

The writer starts out saying that the “movie version of the hardboiled private eye…was never as enduring as his literary original.”  He goes on to say that the re-release of Polanski’s Chinatown reminds us that the myth consecrated by Spade and Marlowe is not a renewable resource.

Don’t get us wrong–we thoroughly enjoyed this article, which is noir-ly despairing of the “knight errant” role of the private eye as epitomized by Bogart as first Spade in The Maltese Falcon, then as Marlowe in The Big Sleep.  But we had trouble buying that this character’s heydey was during and after World War II.  We were also a bit confused with the analysis that the obese police captain character (who plants evidence and stoops to murder) in Orson Welles’s Touch of Evil had the “aura of a private eye.”  Uh, what happened to the epitomized knight errant model?

The writer devoted several paragraphs about Altman’s 1973 The Long Good-bye with Elliot Gould as Marlowe, a film we both love.  Some believe Altman’s movie version is more Chandler in spirit than, say, Hawks’s The Big Sleep. In this article, the writer believes it was private eye Jake Gittes in Chinatown, made a year or so after Altman’s The Long Good-bye, that restored the knightly myth.  Restored?  Did it really go away?  To our mind, Gould’s Marlowe held onto that tarnished knightly myth as a PI steeped in cynicism and shady deeds, yet we, the viewer, still got glimpses of a deeply personal involvement that sometimes errs on the side of morality. That’s the gumshoe myth that still appears in films, too.  We’re not saying all the time, but we certainly don’t think it stumbled off its cracked pedestal after WWII.  Anybody see Michael Shannon in the 2009 Australian film The Missing Person?

Bought off: how crime fiction lost the plot.  Subtitle “Thriller writing was once a British strength, but publishers are reducing it to a formulaic genre. Time, maybe, for murder most foul…” by Christopher Fowler, the Independent

We’re not British, but we found it interesting that the writer encourages readers to “step away” from crime fiction publishers’ current offerings because the “genre has backed itself into a dead end.”  His view is that publishers are falsely advertising their latest murder mysteries to be grittily realistic.

They aren’t grittily real?

May we take this to a bigger view of crime fiction?  One of us has been privileged to be a judge for the Private Eye Writers of America bad private eye with gunthree times (2013 will be her fourth stint).  In this capacity, she has read several hundred private eye-crime novels, and many (she lost count) short stories in the genre as well.  And sometimes she agrees that the crimes portrayed aren’t realistic, gritty or otherwise, but just as often they are dead-on correct.  One way she knows this is she has investigated certain types of crimes, and other times she has analyzed the crimes with her once-PI-partner who is now a criminal defense attorney (with nearly 30 years in the criminal justice field), as well as with a good pal, a local homicide detective, who has been walking some very real, very mean streets for several decades.

Yet in a recent book she wrote, which she researched based on several real, gritty crimes, then followed up by having several experts in the field check the book for legal veracity and crime accuracy, one Amazon reviewer sniffed that one crime in particular was “implausible.”

Let’s go back to this article.  At the end, the writer makes a pitch for publishers to let readers discover other crime tales that lay outside of those that lean on gritty realism.  Tales that are farcical, tragic, even strange.  Sure, why not?

Both articles are fun, well written, educational reads.  We just disagree with grand, sweeping statements–be it the dying myth of a character or the honesty of crimes in fiction.

Have a great weekend, Writing PIs

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Two Nonfiction Books About the Real World of Private Eyes

Posted by Writing PIs on December 10, 2012

Shaun Kaufman and Colleen Collins

Here at Guns, Gams, and Gumshoes, one of us, Shaun, is also a criminal defense attorney, the other, Colleen, a multi-published writer.  After teaching classes to writers at various conferences about developing realistic private eyes in fiction, we co-authored a nonfiction book geared to writers, and later Colleen wrote a second nonfiction book packed with articles she’s written on the art of private investigations.  Below are details about both books.

How to Write a Dick: A Guide for Writing Fictional Sleuths from a Couple of Real-Life SleuthsHow to Write a Dick cover
Available on Amazon for $4.99 at http://www.amazon.com/How-Write-Dick-Fictional-ebook/dp/B00595K1UK

This nonfiction research book for writers, co-authored with attorney and former investigator Shaun Kaufman, provides facts and guidance for novelists, scriptwriters and others who are crafting mystery, legal thriller or suspense stories. This book also appeals to readers who are simply curious about the techniques and tools of real-life private eyes. Topics include a history of private investigators; descriptions of various specialized fields and how to gain experience in them, from insurance investigations to white-collar crime investigations to pet detection; how private investigators conduct surveillances on foot and in vehicles; the basics of homicide investigations and how private investigators might be involved; a gumshoe glossary and much more.

“If you want authenticity in creating a fictional private investigator for your stories, then this is a must-have reference book. Its authors, Colleen and Shaun, are living, breathing PIs with years of actual experience in the PI game.” ~ R.T. Lawton, 25 years on the street as a federal special agent and author of 4 series in Alfred Hitchcock Mystery Magazine

“Forget Google and Bing. When you need to research PI work, go to the experts, Colleen Collins and Shaun Kaufman: they live it, they teach it, they write it. How to Write a Dick is the best work of its kind I’ve ever come across because it covers the whole spectrum in an entertaining style that will appeal to layman and lawmen alike. This will be the industry standard for years to come.”
—Reed Farrel Coleman, three-time Shamus Award winner for Best PI Novel of the Year and author of Hurt Machine

How Do Private Eyes Do That?HOW DO PRIVATE EYES DO THAT cover
Available on Amazon for $2.99 at http://www.amazon.com/How-Private-Eyes-That-ebook/dp/B005SSZJM8

This nonfiction book is useful for writers conducting research for mystery, thriller and suspense novels, as well as for readers interested in learning about real private detectives. The book provides dozens of articles on the art of private investigations, including case examples and a listing of recommended writers’ and professional private investigators’ sites. Topics include how to locate missing persons, how to find cell phone numbers, tips for catching cheating spouses, where to access free online research sites, techniques for conducting successful witness interviews, tips for investigating white-collar crime and more.

“A must have for any writer serious about crafting authentic private eyes. Collins knows her stuff.” ~ Lori Wilde, New York Times and USA Today bestselling author

“Real-life private investigator Colleen Collins spills the beans.”
~The Thrilling Detective

Have a great week, Writing PIs

Posted in Nonfiction book: HOW TO WRITE A DICK, PI Topics, Writing About PIs, Writing Mysteries | Tagged: , , , , | Comments Off

Booklist Online’s “Web Crush of the Week”: Guns, Gams and Gumshoes

Posted by Writing PIs on May 31, 2012


Thank you, Booklist Online!

The American Library Association‘s Booklist Online’s Reference Editor Rebecca Vnuk has designated Guns, Gams and Gumshoes to be “Web Crush of the Week” this week as part of their Mystery Month celebration.  Thank you Ms. Vnuk and Booklist Online. An excerpt of the write-up is below:

Guns, Gams, and Gumshoes is a blog geared primarily to mystery, suspense and thriller writers, but readers will find plenty to enjoy here as well.  The contributors know what they’re talking about:  Shaun Kaufman is  a trial attorney specializing in personal injury, criminal defense and business litigation, and Colleen Collins is a novelist. They’re both licensed private investigators, to boot.

To read the rest of the write-up, click here.

To celebrate being the “Web Crush of the Week,” we’ll post links to some of our recent readers’ favorite articles, below.  To read an article, click the link.

Top Mistakes Writers Make When Depicting Crime Scenes

Flashlights are dandy for private eyes in stories, but many of today’s PIs are also using flashlight apps on their smartphones!

Story Foibles in Private Eye Fiction

Get a Bad Review? Three Tips to Minimize It on the Internet

Private Eye Stories That Get It Right

Answering Writer’s Question: Are PIs and Cops Compatible?

Answering Writers’ Questions: What Records Can PIs Legally Obtain?

Private Investigators and Murder Cases

Shaun Kaufman writes about civil and criminal litigation issues, and sometimes basketball, at http://www.shaunkaufman.com.

Additional Articles of Interest

As Ms. Vnuk mentioned in her write-up, one of the Guns, Gams, and Gumshoes’s authors is Denver, Colorado, trial attorney Shaun Kaufman. Below are some of recent articles he’s posted on his site — as you can see, he’s also a die-hard basketball fan. To read an article, click on the link:

What Personal Injury Lawyers Can Learn from Dwayne Wade and LeBron James

Copyright Trolling: Don’t Be a Victim

Miami Heat-Bostom Celtics Match Mirrors DA-Defense Contest

Remembering Military Justice

Have a great week, Writing PIs

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Top Mistakes Writers Make When Depicting Crime Scenes

Posted by Writing PIs on May 18, 2012

Today Novel Rockets, one of the Writer’s Digest 101 Top Websites for Writers, has posted an article by Guns, Gams, and Gumshoes’s PI, Colleen Collins: “Top 5 Mistakes Writers Make at a Crime Scene.”  Besides offering a PI’s perspective on crime scene faux pas, Colleen interviewed other experts for this article: Joe Giacalone, veteran NYPD detective sergeant and commanding officer of their Cold Case Squad and author of  The Criminal Investigative Function; David Swinson, retired Washington, DC, detective and author of A Detailed Man; and Denver criminal defense attorney Shaun Kaufman.

Below we post an excerpt.  To read it in its entirety, click on the “To read the full article, click here” link at the bottom of the article.

Top 5 Mistakes Writers Make at a Crime Scene

by Colleen Collins

Incorrectly describing a crime scene can hurt the credibility of a story

Next to confessions, crime scenes contain the most first-hand evidence explaining the who, what and whys of a crime.  Unfortunately, sometimes writers get aspects of a crime scene wrong, which puts a dent in the credibility of a story.

David Swinson, a retired Washington, DC, detective and author of A Detailed Man (available in most bookstores and Amazon), calls these dents “Aw c’mon, man” moments.  “I have been to countless crime scenes,” says David.  “When you respond to a scene that is related to a violent crime, especially homicide, even the smallest mistake can ruin the outcome of the case. I’m especially tough on some authors who write crime fiction — it’s what we in law enforcement call an ‘Aw c’mon, man’ moment.’”

Let’s look at the top five mistakes, or “Aw c’mon, man” blunders, in no particular order, that writers make at crime scenes.

Using incorrect terminology. One popular misconception is that the words cartridges and bullets are synonymous. A bullet, the projectile that fires from a rifle, revolver or other small firearm, is one part of a cartridge. Two other words that writers sometimes use interchangeably: spent bullets and spent casings. A spent bullet, sometimes called a slug, is one that has stopped moving after being fired. Spent bullets are often pretty distorted after hitting objects on their way to a resting place. A spent casing is one from which a bullet has been fired. Although spent bullets and casings might be found at a crime scene, casings are more likely to be lying in plain sight.

Mishandling evidence. “First rule of any crime scene investigation,” says Swinson, “is when you observe what is obviously evidence, leave it where it is. Don’t move it!”  An “Aw c’mon, man” crime scene scenario for Swinson: “Spent casings are visible on the floor beside the body, a semi auto is a few feet away, and a little baggy that contains what appears to be a white powdery substance is near the weapon. The detective picks up the gun and inspects it and then picks up the baggy, opens it and smells or takes a taste using his finger. This makes me crazy! A detective would never pick up crucial evidence before it is photographed or, if necessary, dusted for prints. This contaminates evidence and can jeopardize the prosecutor’s case. And a detective would never, ever pick up what might be illegal narcotics and taste it!”

To read the full article, click here

Related articles

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Tips for Writers Writing Sleuths: Tracking Missing Persons

Posted by Writing PIs on January 2, 2012

How a Sleuth Might Track a Missing Person

by Colleen Collins, originally printed in Novelists Inc. January 2012 newsletter NINK

A large percentage of a real-life and fictional PIs’ work involves, to an extent, finding persons whose location is unknown to the PI. For example, a person might be actively avoiding being found, such as a debtor who does not want to be served with a lawsuit. This person might come and go at odd hours or start shimmying in and out a back window instead of using the front door of her residence.

Sometimes the missing person case is more complex, such as a parent who has abducted his child and fled the jurisdiction. In such scenarios, people are more deliberate in their efforts, typically travel farther and attempt to cover their tracks more thoroughly.

If you’re writing a story with a PI or sleuth, your character might be hired to locate someone. A few techniques for finding a person whose location is unknown include:

  • Searching databases that contain public records. There are numerous online public records that anyone can search, such as:
    • County assessors’ sites have lists of owners of real property. If the person was not the owner of the residence, you’ll find out who is.  That owner/landlord might have information about the person’s current whereabouts or know someone who does.
    • Privately owned cemeteries and mortuaries maintain burial permits, funeral service registers, funeral and memorial arrangements, obituaries, intermediate orders and perpetual care arrangements. For example, if the missing person recently attended a funeral, a PI can find names of friends and relatives through some of these records.
  • Interviewing past and current neighbors as well as relatives, past and current landlords, co-workers and known associates.
  • Searching the Internet using Google and other search engines for blogs, images, news and so forth. You’d be surprised what you can find by simply typing a telephone number into the Google browser, for example.
  • Looking up bride/groom’s names if there’s been a recent wedding, or one is in the works: Wedding Channel.  Often, photos and lists of guests are also posted.
  • Checking Internet communities and social networking sites such as MySpace, Facebook, Twitter and Linkedin. We once located a missing person who was on the run, but she still found time to log into her MySpace account and blog away. One search engine that searches dozens of social networking sites with each lookup is Socialmention.
  • Conducting surveillances at locations where the subject has been known to hang out, from bars to exercise clubs to softball games.

There are entire books written on the subject of finding missing persons – if you’re writing a story with a missing-person plot, considering purchasing a recent book on the topic. PIstore.com offers a wide variety of books on different investigative specializations.

There are also organizations whose websites offer help with networking, services and resources to find people who are missing – below are several of these sites:

If your fictional sleuth specializes in missing persons, think about the following character traits:

  • How tenacious is your character? This kind of research can be time-consuming, detailed, frustrating, with lots of dead-ends before finding a clue.
  • Is your sleuth a people person? Because most likely he’ll be talking to a number of people and trying to, in the course of their conversations, pull the nuggets of information he needs.
  • What kind of tools does your sleuth use? Does she have access to a computer, proprietary databases, an adequate vehicle to conduct surveillance?  Is he knowledgeable conducting research in public libraries, courthouses and the like?
  • Does your sleuth incorporate all of the tools of the PI trade in her search, including trash hits at recently vacated residences for signs as to where the missing party might have been headed?
  • Does your sleuth like putting together jigsaw puzzles? Because that’s what locating missing persons is like — assembling varied pieces of information from disparate sources to get, finally, a clear picture.

Have a good week, Writing PIs

Like private eye mysteries with thrills, humor and romance? Check out The Zen Man, a 21-st Nick and Nora mystery, now available on Kindle, Nook, and Smashwords.

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Answering Writers’ Questions About Private Forensic Labs

Posted by Writing PIs on November 6, 2011

Today we’re answering writers’ questions about private forensic labs.

Writer’s Question: Where can one find these forensic labs?

Guns, Gams, and Gumshoes: Personally, we network with other private investigators, lawyers, addiction treatment personnel, even coroners about good DEA-approved private forensic toxicology labs. We searched to see if there’s a list of these labs online and found the following:http://home.lightspeed.net/~abarbour/labs.htm

Writer’s Question: Are ALL of them available to civilians?

Guns, Gams, and Gumshoes:In the link above, the specification to be on the list requires that the lab routinely performs tests for private as well as public agencies.

Writer’s Question: How expensive is it?

Guns, Gams, and Gumshoes:In our personal experience (working with civilian client-cases that require chemical analytics), the cost has been about $250 per sample for drug testing. Urine testing is between $20-$150. Hair sample testing in the $120 range. If you’re needing more specific info for a story, contact a local lab and ask their prices (our experience has been that lab personnel are very accessible and can clearly explain testing methods).

Writer’s Question: What if a civilian suspected a poisoning was occurring and wanted to find out?

Guns, Gams, and Gumshoes:Funny you should ask. We actually had a private lab chemist chat with us about a case she recently had that came into her office…a mother suspected her daughter was poisoning her (chemicals into a substance…we forget exactly what this substance was, but we think the daughter was putting something into her mother’s nightly glass of wine). The chemist at the lab told us the mother was right — they had found toxic chemicals in the sample the mother had brought into the lab.

Writer’s Question: What is the process? What paperwork would the PI/civilian have to complete? Does the lab call/mail results? How long (if they aren’t very busy)?

Guns, Gams, and Gumshoes: All that’s necessary is chain of custody material: that the sample was seized and handled carefully by the PI, and that the same is sealed and sent in a bag to the lab. In our experience, the lab has faxed us a simple form where we document what we want tested, and how we’re paying (like any other business, they want the money upfront). Regarding how the lab sends results, we receive it by fax & email (we’ve also found we can call at any time to check on their research, and they’re very accommodating to take our calls, answer our questions, explain their turnaround time for results, etc). If they aren’t busy, we typically get results in 72 hours, sometimes a bit longer.

Writer’s Question: What evidence, if any, would the lab be required to report to law enforcement officials?

Guns, Gams, and Gumshoes:They don’t have a requirement to report to law enforcement.

Writer’s Question: Is there a time limit/conditions beyond which results would be unattainable or inconclusive?

Guns, Gams, and Gumshoes:Samples don’t lose markers for chemicals unless they are kept under poor conditions (moisture or heat such as light).

Have a great weekend, Writing PIs

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How a Private Investigator Conducts Surveillances in the Country

Posted by Writing PIs on August 2, 2011

Today we’re guests at Terry’s Place, writer Terry Odell’s blog, where she’s posted our article “Writing Rural Surveillances.”  Writing a sleuth who needs to conduct a stakeout in the country?  Curious how a private investigator might prepare for such a surveillance? Drop by and check out the article.  We’re also giving away a Kindle version of How to Write a Dick: A Guide for Writing Fictional Sleuths from a Couple of Real-Life Sleuths.”  If you don’t have a Kindle, no problem.  You can download a free Kindle app for your PC or Mac.

Terry’s Place “Writing Rural Surveillances”

 

Have a great week, Writing PIs

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Down These E-Cover Mean Streets: Peter Ratcliffe, Designer Extraordinaire

Posted by Writing PIs on July 26, 2011

A Guide for Writing Fictional Sleuths from a Couple of Real-Life Sleuths

We’re a couple of PIs who also write…and sometimes we also talk about people whose work is fantastic.  Such as Peter Ratcliffe, a graphic designer who also designs book covers (print and ebook).  Like the two covers above.  The top is a fiction novel by one of the Writing PIs, the other is a non-fiction by both of the Writing PIs.  Cool, huh?  You should check out the book covers he’s designed for other authors:

To see Peter Ratcliffe’s book cover designs: click here

Did we also mention he’s great to work with?  Easy-going, knowledgeable, creative…okay, we think he’s brilliant.

Below is his ad — it says “Satisfaction Guaranteed.”  Know what?  He means it.  When you start working on a cover design with Peter, his goal is to bring life to your vision and he’ll work with you until that’s met.

Have a great week, Writing PIs

 

 

 

 

 

 

 

 

 

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Excerpt from How to Write a Dick: Catching the Cheater

Posted by Writing PIs on July 12, 2011

How to Write a Dick: A Guide to Writing Fictional Sleuths from a Couple of Real-Life Sleuths, available on Kindle

Infidelity Investigations: Catching the Cheater

When we accept an infidelity case, we request:

  • Information about the suspected cheater’s habits, work schedule, days off and so forth.
  • Photographs of the suspected cheater (and the suspected girlfriend/boyfriend, if available)
  • Addresses and phone numbers (for the suspected cheater’s home, businesses, other places of note as well as the addresses/phone numbers for suspected girlfriend/boyfriend, if known)
  • Any known routes suspected cheater takes on way to work, home, to exercise gym and so forth
  • Vehicle descriptions, license plate numbers for suspected cheater (and suspected girlfriend/boyfriend)
  • Contact information for client, preferred times to call, private numbers person can be reached at, preferred means of contact (work email, cell phone).
  • Any other pertinent information.

As with any other case, we then devise an investigative strategy.  Sometimes the client will call and inform us if the suspected cheater has changed his/her work schedule, is taking off for a surprise appointment or other event.  We can’t always comply with last-minute schedule changes (which we’ve made clear to the client up front) but if time permits, we do.

Part of our contract is that we’ll provide reports on either a biweekly or monthly basis.  However, we’ll work with the client on a different report scheme as long as it’s appropriate, workable and legal.  For example, we’ve had clients who like to call periodically and discuss the case.  We don’t mind discussing the current progress on a case as long as the client remains professional and courteous.  Sometimes a client might request an email update the morning after an evening surveillance, and we’re happy to comply.

The most difficult thing we’re ever had to do was tell a client that we had garnered photographic evidence that her husband was being unfaithful.  It had been a lengthy investigation (several months) and the husband (who had a background in military investigations) had covered his tracks exceptionally well, so well we believed her suspicions were unfounded.  We had scheduled one last surveillance, which she asked us to continue doing, and after that we mutually agreed to terminate the investigations.

It was during that very last surveillance that we saw, and photographed, his infidelity.  The wife’s suspicions of his infidelity had been right on — he was involved with her best friend.  We finished the surveillance, did a wrap-up meeting where we discussed how to present the evidence to the client, then we made the call.  The client immediately wanted to know if her husband and her girlfriend were still at the location where they’d been photographed. We explained the husband and girlfriend had already left the scene, but we had photographic evidence that we would forward in a report.

We’ve since talked to this client and learned that after being confronted with the evidence, he admitted to the affair, and they are now in marriage counseling.  This was a happy ending.  More often, a client’s next call to us is requesting a recommendation for a good divorce lawyer.

PI Wise:  Except in only a few cases, a PI shouldn’t contact a client while the investigation is in process.  Especially in a cheating spouse case, a PI never tells a client, in real time, where her/his spouse is in flagrante delicto.  Remember the woman who ran over her philandering husband three times in the Texas parking lot?  That’s because the PI she’d hired to follow her husband called from the hotel where he was rendezvousing with his mistress and reported the infidelity in real time.  Wifey, enraged, drove over and…let’s just say if the PI hadn’t made that call, wifey might not now be spending years behind bars.

Posted in Excerpt from How to Write a Dick: Catching the Cheater, How to Write a Dick excerpts | Tagged: , , , , , | Comments Off

 
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